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An analysis of criticisms by Kaleemuddin Ahmed and Azmatullah Khan regarding the structure of the Ghazal, its fragmented imagery, and lack of continuity, alongside the significance of Eastern art theory in its defense.
Why is Mir Taqi Mir called 'Khuda-e-Sukhan' (The God of Poetry)? This title is not merely a compliment, but a testament to Mir's complete mastery over all genres (asnaf) of poetry.
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