aaj ik aur baras biit gayā us ke baġhair
jis ke hote hue hote the zamāne mere
1985 | Amravati, India
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To understand Urdu literary criticism, if we look back a little, our gaze falls upon Mir Taqi Mir’s Nukat-ush-Shu'ara. Here, the word intiqaad (criticism) has been used in its truest sense. We may devise whatever parameters we wish for poetic criticism,
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