Results of rhyming words for 'ہم_راز'
ہم_راز
- زمرہ 1
- زمرہ 2
- زمرہ 3
- زمرہ 4
- زمرہ 5
- زمرہ 6
- زمرہ 7
As in indicated earlier, qaafiyaa can be exact, nearby or open. This is clearly mentioned in the search results.
The selection of a set of qaafiyaas for a ghazal is closely linked to the matla (first sher of the ghazal).The same type of qaafiyaa (exact or close or open) that is used in the matla should follow in the rest of the misras.
1) Example of Exact Qaafiyaa:
If matla is...
ab kyaa soche.n kyaa haalat the kis kaaran ye zahr piyaa hai
hum ne us ke shahr ko chhoDaa aur aankho.n ko mund liyaa hai
As we can see above sher that both misras has used qaafiyaas which has rhyming pattern of --yaa thus all other qaafiyaas in the ghazal will follow this patter such as:
piyaa, liyaa, kiyaa, liyaa ,jiyaa, diyaa
2) Example of close Qaafiyaa:
If matla is...
aa.ina samne rakhoge to yaad aa.u.ngaa
apni zulfon ko sanwaroge to yaad aaunga
As we can see above sher that both misras has used qaafiyaas which has rhyming pattern of --oge, thus all other qaafiyaas in the ghazal will follow this patter such as:
KHaridoge, chaahoge, baiThoge, bhigoge, nikaloge, guzroge
3) Example of open Qaafiyaa:
If matla is...
aadmii aadmii se miltaa hai
dil magar kam kisii se miltaa hai
As we can see above sher that both misras has used qaafiyaas which has rhyming pattern of --ii, thus all other qaafiyaas in the ghazal will follow this patter such as:
Saadgii, hansii, KHush-qaamatii, be-KHuudii, ham-saaegii
If the matla is not written first then, the poet should take care that the above rules are followed for the matla based on the qaafiyaas used in other shers.
All the words visible on screen (i.e. all the words visible under single SET either SET1 or SET5 or SET8 etc) are compatible qaafiyaas which can be used in one ghazal. However words from different screens (i.e choosing few words from SET1 and few words from SET4) may not be compatible qaafiyaas. Thus it is advisable to select all your qaafiyaas from single screen. To learn more please read instruction on homepage.
Go to home page
Vazn : 221
- آغاز
- اَعْرَاض
- آواز
- اَبْعاض
- افراز
- اغماض
- اغراض
- الفاظ
- انباز
- امراض
- انداز
- بَزّاز
- دم_باز
- دم_ساز
- دِل_باز
- دو_باز
- اعجاز
- اِعْجاز
- اعراض
- اِعْراض
- اعزاز
- اِعْزاز
- فیاض
- گَل_باز
- غماز
- گَپ_باز
- ہم_راز
- ہم_ساز
- حُمّاض
- اِبْراز
- اغماض
- اِغْرَاض
- اِحْفاظ
- اِحْراض
- اِحْظاظ
- ایجاز
- اِیْقاظ
- اِمْخاض
- اِنْجاز
- جانباز
- جاں_باز
- جَمّاز
- جُل_باز
- کَج_باز
- خَرّاز
- خود_ساز
- لب_ساز
- لَفّاظ
- لَٹْھ_باز
- مرتاض
- مِہماز
- مِہراز
- مقراض
- ممتاز
- مُرتاض
- ناراض
- نَاسَاز
- نباض
- نَے_ساز
- نَقّاض
- پرداز
- پرواز
- پَھڑ_باز
- پِشْواز
- قَیماز
- قفقاز
- رَمّاز
- سر_باز
- شَب_باز
- شَب_تَاز
- شہباز
- شیراز
- تن_باز
- طناز
- ورساز
- یَکتاز
Vazn : 1221
Vazn : 2221
- عاشِق_باز
- آتِش_باز
- عَینَک_ساز
- اَٹْکَل_باز
- بَچَّہ_باز
- بَیٹَھک_باز
- بر_آواز
- بر_انداز
- بے_انداز
- چِلْمَن_ساز
- چنگل_باز
- غائِب_باز
- ہم_آواز
- حِرْفَت_باز
- اِسْتِحْفاظ
- جَلدی_باز
- کاغَذ_ساز
- کَکَّڑ_باز
- خانہ_ساز
- خوش_آواز
- کینہ_ساز
- لَکَّڑ_باز
- لُعْبَت_باز
- مَکَّھن_باز
- نَوسَر_باز
- پا_انداز
- پَہْپَٹ_باز
- پس_انداز
- پَتّے_باز
- پَھکَّڑ_باز
- سَن٘گ_اَنْداز
- صاحب_ناز
- شاہِد_باز
- شَیْخی_باز
- شیشہ_باز
Vazn : 12221
Vazn : 22221
Vazn : 121221
Vazn : 122221
Vazn : 212221
- بُلْبُلِ_شِیراز
- دَعْوَتِ_شِیراز
- گوش_بر_آواز
- اِفْتِرا_پَرْداز
- مَفسَدَہ_پَرداز
- مفسدہ_پرداز
- مُصْحَفِ_اِعْجَازْ
- نَو_بَہار_ناز
- نُقْطَۂ_آغاز
- قُوَّتِ_پَرْواز
- صاحِبِ_اِعْجاز
- سَبزَۂ_آغاز
- شعبدہ_پرداز
- شُعْبَدَہ_پَرْداز
- سُرْمَۂ_آواز
- طاقَتِ_پَرْواز
- تفرقہ_پرداز
- تَفْرِقَہ_اَنْداز
- تَفْرِقَہ_پَرْداز
- تِیْغَۂِ_اِعْجَاز
- وَاپسی_پرواز
- زاہدِ_مُرْتاض
- زمزمہ_پرداز
Vazn : 221221
Vazn : 222221
Vazn : 1112221
Vazn : 1222221
Vazn : 2121221
Vazn : 2122221
Vazn : 2221221
Vazn : 2222221
Thanks, for your feedback