etibar-e-nazar

Syed Ehtisham Husain

Uttar Pradesh Urdu Academy, Lucknow
2010 | More Info
  • Sub Title

    Tanqeedi Aur Adabi Mazameen Ka Majmua

  • Contributor

    Haider Ali

  • Categories

    Research & Criticism

  • Pages

    224

About The Book

Description

اردو کے نقادوں میں ایک اہم نام احتشام حسین صاحب کا ہے ۔احتشام حسین ساری زندگی افادی ادب کے قائل اور ترقی پسند تحریک کے حامی رہے،ان کا مطالعہ کافی وسیع تھا، ادب کے علاوہ تاریخ، سیاست ،اقتصادیات اور عمرانیات پر گہری نظر تھی ۔زیر نظر کتاب "اعتبار نظر" ان کے تنقیدی اور ادبی مضامین کا مجموعہ ہے ۔ اس کتاب میں امریکی تنقید، مسلمانوں کی آمد سے پہلے ہند آرائیوں کے حالات، اودھ کی ادبی فضا،داغ کا رام پور،اردو شاعری میں قومیت،نیا ہندی ناٹک، غزل نما،رومانوی افسانہ نگار، امیر خسرو اور حافظ محمو دشیرانی،اردو افسانہ ،خوجی ،غالب کی بت شکنی،ادب اور جمود، اصول نقد ،ماضی کا ادب اور نئے تنقیدی رد عمل وغیرہ جیسے مختلف موضوعات پر مضامین شامل ہیں۔

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About The Author

Syed Ehtisham Husain

Syed Ehtisham Husain

Sayyad Ehtisham Hussain, former Chairman, Department of Urdu, Allahabad, UP, was one of India’s top Marxist critic of Urdu who published more than half a dozen volumes of his literary essays, besides several other books.

He was born in 1912 in Mahul, a small village in Azamgarh. He attended high school on Azamgarh, and then studied at Allahabad for his M.A. His first assignment as a teacher of Urdu was at Lucknow University in 1938. From there he went on a study tour of U.S. in 1952, supported by the Rockefeller Foundation. The impressions of this travel are told in his travelogue ‘Sahil Aur Samandar’. In 1961 he was appointed to the Urdu chair at the Allahabad University.

Sayyad Ehtisham Hussain has written extensively on classical and modern literature. He has been one of the lending lights of the Progressive Writers Movement and has given Urdu criticism a new basis and a new direction. His prose presents him as a calm, quiet, and detached writer; actually, he possesses an interesting, agreeable, and charming personality. His Urdu is close to the basic common core speech. The use of high-flown or ornate language does not find favor with him, and his prose is marked for simplicity, candor and insight. 

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