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Author : Shad Azimabadi

Editor : Quaiser Khalid

V4EBook_EditionNumber : 001

Publisher : Educational Publishing House, Delhi

Year of Publication : 2005

Language : Urdu

Categories : Poetry

Sub Categories : Deewan

Pages : 362

ISBN No./ISSN NO : 81-8223-097-7

Contributor : Shamim Hanafi

deewan-e-shad azimabadi

About The Book

شادعظیم آبادی انیسویں صدی کے اواخر اور بیسویں صدی کے اوائل کے ان مستقل مزاج کلاسیکی شاعروں میں سے ایک ہیں جنہوں نے غزل کی صنف پر طرح طرح کے اعتراضات کے زمانے میں بھی اپنی غزل گوئی کے عَلَم کو بلند رکھااور دبستانِ عظیم آباد کے بڑے قادر الکلام شاعر ہیں۔ انہوں نے غزل گوئی کے ساتھ ساتھ مرثیہ اور رباعی میں بھی اپنے کمال کا مظاہرہ کیا ہے۔ مرثیہ میں انہوں نے میر انیس کا تتبع کیا اور خیال و زبان میں میر انیس جیسی لطافت،چاشنی اور تاثیر پیدا کرنے کی سعی کی ہے۔ ان کی رباعیوں میں عارفانہ متصوفانہ،فلسفیانہ اخلاقی و اصلاحی عشقیہ،خمریہ اور المیہ مضامین،جدت خیال،ندرتِ فکر،کیف و سرور،گہرائی و گیرائی اور لسانی انفرادیت یہ تمام چیزیں موجود ہیں۔زیر نظر دیوان کو قیصر خالد نے مرتب کرتے ہوئے مولانا حسرت موہانی کا مرتب کردہ،دیوان اورکلیم الدین احمد کا ترتیب کردہ کلیات وغیرہ نسخے کو سامنے رکھا ہے مزید اس بات کی کوشش کی ہے کہ یہ دیوان زیادہ ضخیم نہ ہوجائے۔

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About The Author

Shad Azimabadi was born Syed Ali Mohammad in Azeemabad, now Patna. He received traditional education rather early in his life and learnt Urdu, Persian, and Arabic. This was followed by his own studies of Islam and other religions which turned him into a liberal humanist. Although Shad hailed from an affluent family, he cared less for riches, and even lesser for the sources of his future sustenance. Following the general practice of poets in making, he too received counselling on his poetry from several master craftsmen. As he emerged as a poet of remarkable merit and a sound scholar, he earned the title of Khan Bahadur from the British government, with a monthly stipend of a thousand rupees.

Shad was essentially a poet of the ghazal tradition. He was no philosopher; nor did he have a taste for stereotypical themes but he distinguished himself on account of his refreshing ideas and novel ways of expression. He engaged with issues in ethics, philosophy, and mysticism, as he deliberated on the unity of God. Following Mir Anis, the celebrated poet of marsiya, he also practised this form. A full time poet and writer, Shad has left behind a huge amount of literary works. Some of them include a biography called Hayaat-e Faryaad, a historical tract called Nawa-i-Watan, collected poems entitled Kulliyaat-e Shad and Maikhana-i-Ilhaam, and an account of marsiya poets, called Fikr-e Baleegh.

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