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POETS/AUTHORS/ARTISTS

Allama Iqbal Open University, Islamabad

Allama Iqbal Open University, Islamabad

Publisher

MOST RELEVANT MATCHES FOR ".epwn"

Article

ناول نگاری کافی دنوں تک اعتبار فن سے محروم رہی لیکن بورژوا نظام کے عروج نے اس کے آرٹ کی حصار بندی کی۔ ناول اور حقیقت نگاری کے ضمن میں لکھتے ہوئے رالف فاکس نے اس طرف بھی خاصی توجہ دی ہے۔ فن ناول نگاری کو موجودہ صورت و سیرت اور ہیئت تک پہنچنے میں ارتقا کی کئی منازل سے گزرنا پڑا ہے جن سے چشم پوشی نہیں کی جاسکتی۔ ناول ایک نثری صنف ادب ہے جو قصہ گوئی ک...

Naz Qadri
Tanz-o-Mazah

यह उन दिनों का ज़िक्र है जब मैं हर शाम क्लब जाया करता था। शाम को बिलियर्ड रुम का इफ़्तिताह हो रहा है। चंद शौक़ीन अंग्रेज़ मेंबरों ने ख़ासतौर पर चंदा इकट्ठा किया... एक निहायत क़ीमती बिलियर्ड की मेज़ मँगाई गई। क्लब के सबसे मुअज़्ज़िज़ और पुराने मेंबर रस्म-ए-इफ़्तिताह अदा कर रहे हैं।
पहले एक मुख़्तसर सी तक़रीर हुई। फिर मेज़ की सब्ज़ मख़मल पर छोटी सी गेंद रख दी गई और उन बुजु़र्गवार के हाथ में क्यू दिया गया कि गेंद से छु दें, लेकिन उन्होंने अपने तुर्रे को चंद मर्तबा लहराया। मूंछों पर हाथ फेरा। चंद क़दम पीछे हटे और फिर दफ़्अतन किसी बैल के जोश-ओ-ख़रोश के साथ हमला आवर हुए। सबने देखा कि मेज़ का क़ीमती कपड़ा निस्फ़ से ज़्यादा फ़ट चुका है और क्यू अंदर धँस गया है। कुछ देर ख़ामोशी रही फिर एक बच्चा बोला, “अब्बा जान आप ख़ामोश क्यों हैं? आप (OPENING CEREMONY) के ख़्वाहिशमंद थे। उन्होंने उस डंडे की नोक से मेज़ OPEN कर तो दिया है और क्या चाहिए?”

Shafiqur Rahman
Article

Modernism had logic of its own. It stood for the possibility of systematic, knowledge and the existence of an individual ago. High modernism also stood for the possibility of Systematic knowledge but its stress was on the structuring and not on the individual self of the author. Post Modernism decimated the individual subject and declared that syst...

Wazir Agha
Ghazal

jahaa.n par ham mohabbat baa.nT sakte
KHudaa aisaa ko.ii upvan banaataa

Aakash Atharv
interview

کچھ دن ہوئے میں نے ۲۸مارچ ۲۰۰۲ کے نیویارک ریویو آف بکس The New York Review of Books میں اس صدی کے بہت بڑے ماہر طبیعیات اور سائنسی مفکر فری مین ڈاسن (Freeman Dysen) کا بیان پڑھا کہ ایک لاشخصی کائنات میں انسان جیسے ذی شعور وجودوں کی موجودگی، زیست اور زبان کے اسرار، خیر و شر کا وجود، اور لزوم و احتمال کے معاملات، یہ فلکیات (Astronomy) اور طبیعیات کے ا...

Shamsur Rahman Faruqi

PAGE MATCHES FOR ".epwn"

Collection

10 Urdu Nazms for children

Here are nazms for the young hearts that keep us hoping for better futures. This collection celebrates Children’s Day, bringing to you dreamy visions and scenes from fairytales, while offering valuable lessons about life. Perhaps you can tap into the child within you and with an open heart, read this collection.
Collection

10 Famous ghazals sung by Begam Akhtar

Begum Akhtar’s voice covers a wide range of ghazals composed by poets like Mirza Ghalib, Meer Taqi Meer and Momin Khan Momin. Her exposure to singing for films and experience with Indian Classical music allowed her to hone her skills as a singer. The title of Queen of the Ghazal or Malika-e-Ghazal was conferred upon her during her lifetime. Read the ghazals she chose to sing and enjoy.
Occasion

Farmers Day

Literature has had respectable space for social issues one of which concerns the case of Farmers. Poets in particular, have engaged with this in their own ways. In fact, Urdu poets have celebrated their worth and spoken against their exploitation. This selection brings a variety of perspectives on these issues.
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DICTIONARY MATCHES

REKHTA DICTIONARY

'pavan'

'पवन'پونؔ

quarter

paavan

पावनپاون

Purifying, purificatory, purgatory, freeing from sin

paave.n

पावेंپاویں

get

pave.n

पवेंپویں

dawns

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BOOKS MATCHES FOR ".epwn"

Upvan Bihar

Unknown Author

Dastaan

Vachanika Achaladas Khinchi Ri Anveshan Evn Mulyankan

The History of India

Sir H. M. Elliot

Indian History

Nazir Ahmad In His Own Words And Mine

Mirza Farhatullah Beg

Dhar Avn Mandu Ki Sufi Sant Parampara

Kapil Tiwari

MORE MATCHES FOR ".epwn"

Article

For down in her she felt a new stirring, a new nakedness emerging…
And it seemed she was like the sea, nothing but dark waves rising and heaving, heaving with great swell, so that slowly her whole darkness was in motion, and she was ocean rolling its dark dumb mass. Oh, and far down inside her the deeps parted and rolled asunder, from the centre of soft plunging, and the plunger went deeper and deeper disclosed, the heavier the billows of her rolled away to some shore, uncovering her, and close and closer plunged the palpable unknown,and further and further rolled the waves of her self away from herself, leaving her, till suddenly, in a soft shuddering convulsion, the quick of all her plasm was touched she knew herself touched, the consummation was upon her, and she was gone.

Shamim Hanafi
Article

“Do not let us call into the common mistake of expecting to become one flesh and one spirit Every star has its own orbit and between it and its nearest neighbor there is not only a powerful attraction but an infinite distance when the attraction becomes stronger than the distance the two do not embrace they crash together in ruin we too also have o...

Firaq Gorakhpuri
Ghazal

gulistaa.n jab se uj.Daa hai bahaare.n bhii nahii.n lauTii.n
fazaa aavaaz detii hai tumhe.n upvan bulaataa hai

Devesh Dixit Dev
Allusions

Huma is said to be a divine bird that had its origins in Iranian folklore. Not only is this bird referred to in poetry but it is also mentioned in the Hindu scriptures. Legends have it that Huma was a magnificent bird which flew high in the sky but remained invisible to the human eye. There are many suppositions about Huma; some have suggested that...

Anisur Rahman
Ghazal

paa.nv phailaate hai.n itnaa ki hai jitnii chaadar
apnii auqaat hai kyaa KHuub apan jaante hai.n

Faiz Khalilabadi
Article

"I THINK IT BETTER THAT IN TIMES LIKE THESE/A POET’S MOUTH BE SILENT/FOR INTRUTH/WE HAVE NO GIFT TO SET A STATESMAN RIGHT/HE HAS HAD ENOUGH OF MEDDLING/WHO CAN PLEASE A YOUNG GIRL IN THE INDOLENCE OF HER YOUTH/OR AN OLD MAN. UPON A WINTER’S NIGHT''
اس زمانے میں یہ شاعر کے لیے بہتر ہے

Aale Ahmad Suroor
Allusions

Once, the young Musa saw an Israelite and an Egyptian fiercely fighting with each other. He found the Egyptian guilty and killed him. He was later charged of manslaughter. In a bid to escape punishment from Pharaoh, he left for Midian. After about ten years, he travelled back to Egypt. He was later informed of his Prophethood on Mount Sinai where ...

Anisur Rahman
Article

साफ़ ग़ुंचों के चटकने की सदा आती थी
पहली ही नज़र में एहसास होता है कि दोनों बंदों में पहले चार-चार मिसरे "र" की आवाज़ पर ख़त्म होते हैं या'नी ज़ुहूर, तुयूर, हुज़ूर, नूर और दूसरे में सहर, शजर, गुहर, नज़र। सौतियात की इस्तिलाह में ऐसे सौती रुक्न को जो किसी हर्फ़ सही मुसम्मते CONSONANT पर ख़त्म हो CLOSE SYLLABLE पाबंद रुक्न कहते हैं और जो "अलिफ़", "वाव", "ये " या'नी हर्फ़-ए-इल्लत, मुसव्वता VOWEL पर ख़त्म हो, आज़ाद या खुला हुआ रुक्न OPEN SYLLABLE कहते हैं। इस लिहाज़ से इन दोनों बंदों में पहले चार-चार मिसरों के क़वाफ़ी पाबंद हैं और इनमें रदीफ़ सिरे से है ही नहीं। इनके मुक़ाबले में अगर दोनों बंदों की बैत को देखिए तो न सिर्फ़ ये कि दोनों बैतों में रदीफ़ है बल्कि रदीफ़ भी ऐसी जिसके आख़िरी रुक्न आज़ाद या'नी खुले हुए हैं। मसलन "हक़ था", "फ़क़ था", और दूसरे बैत में "सबा आती थी", "सदा आती थी।" अब ज़रा आगे बढ़िए और इन बंदों को मुलाहिज़ा फ़रमाइए,

Gopi Chand Narang
Article

But lord crist! whan that is rember th me
Upon my yowthe and on my joilitee

Mohammad Hasan Askari
interview

تو جہاں کوئی رسم الخط نہ ہو، وہاں وہ رسم الخط سکھا دیا جاتا ہے، جو آسان ہو یا جو مروج زیادہ ہو۔ تو اس لیے مراٹھی میں یا پنجابی میں یا سندھی میں، کشمیری میں، پشتو میں یہ جھگڑا اس لیے اٹھا کہ فارسی رسم الخط تو ضرورت کی چیز تھی، اپنا لی گئی۔ یہاں پر ہندوستان جسے کہہ رہے ہو تم، یہاں تو یہ رسم الخط چل رہا تھا جس کو کہ تم چاہے فارسی کہو، چاہے عربی کہو، چ...

Shamsur Rahman Faruqi
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