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Allama Iqbal
Ghazal 114
Nazm 433
Sher-o-Shayari 137
haañ dikhā de ai tasavvur phir vo sub.h o shaam tū
dauḌ pīchhe kī taraf ai gardish-e-ayyām tū
Interpretation:
Rekhta AI
The speaker pleads with imagination to revive a lost time as vividly as real life, and addresses time itself as if it could reverse course. “Morning and evening” stands for the whole rhythm of a bygone life, now missed. The emotional core is longing: a desire to undo loss by making time return, even if only in the mind.
han dikha de ai tasawwur phir wo subh o sham tu
dauD pichhe ki taraf ai gardish-e-ayyam tu
Interpretation:
Rekhta AI
The speaker pleads with imagination to revive a lost time as vividly as real life, and addresses time itself as if it could reverse course. “Morning and evening” stands for the whole rhythm of a bygone life, now missed. The emotional core is longing: a desire to undo loss by making time return, even if only in the mind.
kabhī ham se kabhī ġhairoñ se shanāsā.ī hai
baat kahne kī nahīñ tū bhī to harjā.ī hai
Interpretation:
Rekhta AI
The speaker complains about the beloved’s shifting attachments: today closeness, tomorrow intimacy with others. “Shanasai” (familiarity) becomes a sign of divided loyalties, and the lover reads it as betrayal. The tone is wounded but controlled—no argument is needed because the beloved’s behavior itself is the proof. The couplet captures the pain of love where constancy is demanded but not returned.
kabhi hum se kabhi ghairon se shanasai hai
baat kahne ki nahin tu bhi to harjai hai
Interpretation:
Rekhta AI
The speaker complains about the beloved’s shifting attachments: today closeness, tomorrow intimacy with others. “Shanasai” (familiarity) becomes a sign of divided loyalties, and the lover reads it as betrayal. The tone is wounded but controlled—no argument is needed because the beloved’s behavior itself is the proof. The couplet captures the pain of love where constancy is demanded but not returned.
milegā manzil-e-maqsūd kā usī ko surāġh
añdherī shab meñ hai chīte kī aañkh jis kā charāġh
Interpretation:
Rekhta AI
The couplet says that reaching one’s true goal requires an exceptional kind of inner vision. The “dark night” stands for confusion and hardship, while the cheetah’s eye symbolizes sharp focus and alertness that pierce darkness. With such clarity and resolve, a person can discover the hidden signs that lead to the مقصد. It is a call to cultivate courage and insight rather than wait for external light.
milega manzil-e-maqsud ka usi ko suragh
andheri shab mein hai chite ki aankh jis ka charagh
Interpretation:
Rekhta AI
The couplet says that reaching one’s true goal requires an exceptional kind of inner vision. The “dark night” stands for confusion and hardship, while the cheetah’s eye symbolizes sharp focus and alertness that pierce darkness. With such clarity and resolve, a person can discover the hidden signs that lead to the مقصد. It is a call to cultivate courage and insight rather than wait for external light.
nigah buland suḳhan dil-navāz jaañ pur-soz
yahī hai raḳht-e-safar mīr-e-kārvāñ ke liye
Interpretation:
Rekhta AI
Iqbal lists the qualities required for true guidance: lofty vision, gentle and heart-winning speech, and an inner fire of conviction. These are presented as the essential “travel gear” for one who leads others. The metaphor of the caravan suggests a collective journey, where a leader must inspire, uplift, and stay spiritually alive. The emotional core is a call to purposeful, passionate, and responsible leadership.
nigah buland suKHan dil-nawaz jaan pur-soz
yahi hai raKHt-e-safar mir-e-karwan ke liye
Interpretation:
Rekhta AI
Iqbal lists the qualities required for true guidance: lofty vision, gentle and heart-winning speech, and an inner fire of conviction. These are presented as the essential “travel gear” for one who leads others. The metaphor of the caravan suggests a collective journey, where a leader must inspire, uplift, and stay spiritually alive. The emotional core is a call to purposeful, passionate, and responsible leadership.
tū ne ye kyā ġhazab kiyā mujh ko bhī faash kar diyā
maiñ hī to ek raaz thā sīna-e-kā.enāt meñ
Interpretation:
Rekhta AI
The speaker addresses a “you” who has revealed what should have remained concealed. Calling himself a “secret in the bosom of the cosmos,” he suggests an inner, precious essence—selfhood or spiritual truth—meant for intimate keeping. The pain comes from sudden exposure: what gave him uniqueness and depth is now laid bare. The couplet turns unveiling into a kind of cruelty, where disclosure feels like loss.
tu ne ye kya ghazab kiya mujh ko bhi fash kar diya
main hi to ek raaz tha sina-e-kaenat mein
Interpretation:
Rekhta AI
The speaker addresses a “you” who has revealed what should have remained concealed. Calling himself a “secret in the bosom of the cosmos,” he suggests an inner, precious essence—selfhood or spiritual truth—meant for intimate keeping. The pain comes from sudden exposure: what gave him uniqueness and depth is now laid bare. The couplet turns unveiling into a kind of cruelty, where disclosure feels like loss.
Quote 10
Hamaari rooh ko us waqt apnaa irfaan haasil hota hai, jab hum kisi mufakkir se rushanaas hote hain. Jab tak main goete ke tasawwuraat ki la-mutanaahiyat se be-khabar tha. Us waqt tak main apni kam-maaegi par muttala na tha.
Hamaari rooh ko us waqt apnaa irfaan haasil hota hai, jab hum kisi mufakkir se rushanaas hote hain. Jab tak main goete ke tasawwuraat ki la-mutanaahiyat se be-khabar tha. Us waqt tak main apni kam-maaegi par muttala na tha.
Shaairi mein mantiqi sachchaai ki talaash bilkul be-kaar be-takhayyul ka nasb-ul-ain husn hai, na ki schchaai. Isliye kisi funkaar ki azmat ko zaahir karne ke liye uski takhleeqaat mein se wo iqtibaasaat pesh na kijiye. Jo aapki raaye mein sciency haqaaeq par mushtamil hon.
Shaairi mein mantiqi sachchaai ki talaash bilkul be-kaar be-takhayyul ka nasb-ul-ain husn hai, na ki schchaai. Isliye kisi funkaar ki azmat ko zaahir karne ke liye uski takhleeqaat mein se wo iqtibaasaat pesh na kijiye. Jo aapki raaye mein sciency haqaaeq par mushtamil hon.
Taareekh eik tarah ki amali akhlaaqiyaat hai. Doosre uloom ki tarah agar akhlaaqiyaat eik tajurbaati ilm hai. To use insaani tajurbaat ke inkishaafaat par mabni hona chaahiye. Is nuqta-e-nazar ke barmala izhaar se un logon ke bhi naazuk ehsaasaat ko yaqeenan sadma pahunchega. Jo akhlaaq ke muaamle mein sakht-geer hone ke daawedaar hain. Lekin jinkaa avaami kirdaar taareekhi taalimaat se mutayyan hota hai.
Taareekh eik tarah ki amali akhlaaqiyaat hai. Doosre uloom ki tarah agar akhlaaqiyaat eik tajurbaati ilm hai. To use insaani tajurbaat ke inkishaafaat par mabni hona chaahiye. Is nuqta-e-nazar ke barmala izhaar se un logon ke bhi naazuk ehsaasaat ko yaqeenan sadma pahunchega. Jo akhlaaq ke muaamle mein sakht-geer hone ke daawedaar hain. Lekin jinkaa avaami kirdaar taareekhi taalimaat se mutayyan hota hai.
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dil soz se KHaalii hai nigah paak nahii.n hai
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